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Artist Discussions

ACO Artist Discussion with Gregory Ferrand

By August 10, 2025September 7th, 2025No Comments

Gregory Ferrand received a degree in film from Virginia Commonwealth University in 1997 and promptly headed off to Buenos Aires, Argentina to teach English to business people. While living there he kept an illustrated journal in which he experimented with different media and recorded his observations about the culture and people around him. In doing so, he came to understand two things about himself: 1). that he was a painter and 2). that he was fascinated by the subtext of human interactions. He returned to the States in early 2000 and began painting seriously.
 
Gregory pulls on influences as wide ranging as comics, Mexican muralists, and 1950’s fashion to create paintings that reveal the beauty of living. His background in film is evident in the strong use of narrative he employs to tell stories about characters and situations that do, have, and will exist; gently unmasking the psychological or emotional state of the subject, inviting the viewer to share and/or identify.
 
Gregory is currently represented by the Adah Rose Gallery and Evoke Contemporary. He also painted the cover (vinyl edition) of the 2021 Grammy award winning albumCall Me If You Get Lost, for Tyler, the Creator. The same painting was also used as the cover (both digital and vinyl editions) of Tyler, the Creator’s 2023 release, Call Me If You Get Lost – The Estate Sale.

My paintings explore the disconnection and alienation we often feel despite (and sometimes because of) the close proximity in which we live to one and other.  

It is ironic that as innately social animals, we often struggle to feel connected with our friends, family, communities, society, and the greater world. To overcome this, we ignore our instincts and learned biases, hoping to make connections so we can reassure ourselves that we are not alone, that we share the same reality with someone else.

But what is “reality?” What is “the truth?”

These questions regarding the human experience have long informed my work. Instead of answering these questions, my paintings invite the viewer to enter the narrative, armed with their own understanding of the world, in order to have an authentic moment to share, identify with, and/or answer these questions themselves.

In this day and age when it can feel impossible to understand how our neighbor could raise their children as they do, or behave as they do, or vote as they do, it is incumbent upon us to reflect on how the realities we construct make us different and also how, by just being human, we are the same.